shadywoods Desi Wilkinson home page
A Guide to the Irish Flute An Interview with Desi Wilkinson
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Desi Wilkinson Shady Woods
Desi Wilkinson, Cathal Hayden & Jim McGrath
Living Tradition CD review of Cran - The Crooked Stair
CD.HTM
There was a great flowering of traditional music all over Ireland in the 1970s
and this was no less the case in Belfast where many young flute players such as
Dessie Wilkinson, Frankie Kennedy, Gary Hastings, Gerry O'Donnell, Tara Bingham
and Hammy Hamilton were developing under the influence of older msucians in the
city such as Tommy Gunne, and inspired by players such as Cathal MacConnell.
Dolores Keane, Night Owl
The title track, "The Night Owl," closes the album with an
ancient, almost Nordic sound, plus a stunning bamboo flute accompaniment by Dessie
Wilkinson. The simple melody, accented by the intricate flute riffs, makes a stirring
and memorable ending to this moving collection of songs.
DESI WILKINSON
A Shady Woods? Sounds like a right dodgy geezer, I'd
remarked when Desi Wilkinson first told me about the working title for his new album,
but then there's always been an ingenious element in Desi's music which surpasses the
imagination of most Irish traditional flute players. The woods' in question are the
variety of wooden flutes, some constructed by his home-town flute-maker, Sam Murray,
which the Belfast-born Desi employs on his first solo album for fourteen years, Shady
Woods.
Two years in the making, Shady Woods is a complete departure for a flute-player known
for playing some of the most hard-hitting music to come out of Ireland over the last
couple of decades, not least with the formidable trio Cran (whose other members are
singer/bouzouki-player Seán Corcoran and the uilleann piper Ronan Browne). Desi's first
album was an enjoyable, fun-packed affair, mirrored by its title, The Three Piece
Flute. In contrast Shady is the product of a conscious decision to explore the more
mellow sound of the wooden flute, as Desi puts it, allowing the instrument to dictate
the pace itself, let it make its squeaks and things the way it wants to.
See Albums: Cosa Gan Bhroga
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